DIN

2019–ongoing
Installation view of Continental Colors at Haunt Berlin, 2021

DIN is a series of photographs of various DIN-standard parts and products, painted in RAL colors. Shot from the front, the colored industrial objects are portrayed against a neutral background.

The two German catalogs of industrial standards, DIN and RAL, named after the Deutsches Institut für Normung (Institute for Standardization) and the Reichs­ausschuss für Lieferbedingungen (Committee for Deli­very Conditions), have been standardizing machine parts, materials and colors since 1917 and 1925 re­spectively. Each standard part and color is designed for a specific purpose.

Texts on the Series

Carsten Becker – On the Biography of Things

Elisabeth Sonneck, 2023
The pack (das Rudel), 2023, by Berlin-based artist Carsten Becker was first shown in the exhibition Roundtrip – Fluidum #2 at Fabbrica Del Vapore, Milano/IT: a dense assemblage of bottles arranged in an acute triangle on the floor. In the flow of the arrangement, the bottle type and matte, monochrome coloring changes from dark green tones through brown to golden beige. Becker's work stands in the context of examining National Socialist crimes. The bottles stem from his research into the standardization of everyday objects, inseparably connected to military uses.

The Uncanny Beauty of Efficiency

Excerpt of: Art and standards. DIN standards and RAL colors in Carsten Becker's work series DIN
Anika Reineke, 2022
At first glance, standards and art seem to be mutually exclusive, as one is considered the epitome of structure and reliability, while the other is regarded as ruleless creation. The work series DIN by Berlin-based artist Carsten Becker is an occasion to look at standardisation in technology and society and to ask about the influence of standards for the people. A selection of works by Becker was shown in February and March 2022 in the exhibition Norm in Chemnitz, Germany. Anika Reineke locates his works in the history of artistic approaches to repetition, pattern and seriality.

Standards and Their Shadows

Conversation accompanying the exhibitions Edition #5 and Epilogue at Haunt Berlin.
Harald F. Theiss, 2021
Conversation with curator Harald F. Theiss about Carsten Becker’s series RAL and DIN. The discussion reveals how Becker uses historical color standards and standardized industrial objects to uncover layers of function, familial resonance, and political ambiguity—from camouflage tones to everyday items with unexpected charge—and how this research culminates in his precise photographic still lifes.

Aesthetics and Standards

Carsten Becker: DIN
Philipp Hindahl, 2020
Carsten Becker condenses the aspects of standardization for his DIN series, in which functional and aesthetic concerns meet. Above all, two standards meet here: Becker paints DIN objects in RAL colors and photographs them. In Becker’s photographs, a strange effect presents itself: The proportions seem to change, the medium of representation pushes into the foreground and creates an alienation. The objects and the colors are removed from the sphere of use.