DIN
2019–ongoing
DIN is a series of photographs of various DIN-standard parts and products, painted in RAL colors. Shot from the front, the colored industrial objects are portrayed against a neutral background.
The two German catalogs of industrial standards, DIN and RAL, named after the Deutsches Institut für Normung (Institute for Standardization) and the Reichsausschuss für Lieferbedingungen (Committee for Delivery Conditions), have been standardizing machine parts, materials and colors since 1917 and 1925 respectively. Each standard part and color is designed for a specific purpose.
Selected Works
Installation Views
Texts on the Series
- Elisabeth Sonneck, 2023The pack (das Rudel), 2023, by Berlin-based artist Carsten Becker was first shown in the exhibition Roundtrip – Fluidum #2 at Fabbrica Del Vapore, Milan: a dense assemblage of bottles whose matte, monochrome coloring shifts from dark green tones through brown to golden beige. Becker's work stands in the context of examining National Socialist crimes. The bottles stem from his research into the standardization of everyday objects, inseparably connected to military uses.
The Uncanny Beauty of Efficiency
Anika Reineke, 2022At first glance, standards and art seem to be mutually exclusive, as one is, after all, considered the epitome of structure, while the other, by contrast, is regarded as ruleless creation. The work series DIN by Berlin-based artist Carsten Becker is an occasion to look at standardisation in technology and society and to ask about the influence of standards for the people. Anika Reineke locates his works in the history of artistic approaches to repetition, pattern and seriality.Interview on DIN and RAL
Harald F. Theiss, 2021Conversation with curator Harald F. Theiss about Carsten Becker’s series DIN and RAL. The discussion reveals how Becker uses historical color standards and standardized industrial objects to uncover layers of function, familial resonance, and political ambiguity—from camouflage tones to everyday items with unexpected charge—and how this research culminates in his precise photographic still lives.Aesthetics and Standards
Philipp Hindahl, 2020Carsten Becker condenses the aspects of standardization for his DIN series, in which functional and aesthetic concerns meet. Above all, two standards meet here: Becker paints DIN objects in RAL colors and photographs them. In Becker’s photographs, a strange effect presents itself: The proportions seem to change, the medium of representation pushes into the foreground and creates an alienation. The objects and the colors are removed from the sphere of use.
Exhibitions

Judgment and Calculation
frontviews at HAUNT
Berlin, 2026

Forbidden Fruit
SaltyAcid
Berlin, 2025

Gläsern
Schloss Biesdorf
Berlin, 2025

Round Trip Fluidum²
Fabbrica del Vapore
Milan, 2023

Continental Colors
Noysky Projects
Los Angeles, 2022

Carsten Becker – Norm
Galerie Konstanze Wolter
Chemnitz, 2022

Continental Colors
Frontviews at Haunt
Berlin, 2021

Epilogue – Edition #5
Frontviews at Haunt
Berlin, 2020













